Post by Darth Lucifer on May 31, 2016 0:37:21 GMT
Lucifer stood still after the bout, impressed but unmoved.
''Nicely done. A bit more practice and you'll do just fine, now on to the next set of techniques. The last of this style of fighting...these are the Mae Mai of the Massassi Iben-Raka and are more detailed movements of the art. These master tricks consist of 15 movements as follows:
Salab Fan Pla (Cross-switch)
Paksa Waeg Rang (Bird peeping through the nest)
Chawa Sad Hok (Chawa throws spear)
Inao Thang Grit (I Nao stabs his Grit)
Yo Khao Prasumaru (Lifting the Sumer Mountain),
Ta Then Kham Fak (Old man holding the melon),
Mon Yan Lak (Mon supports the pillar),
Pak Look Thoy (Impaling the stake),
Jarakhe Fad Hang (Crocodile sweeps its tail),
Hak Nguang Aiyara (Break the elephant’s tusks),
Naka Bid Hang (Serpent twists its tail),
Viroon Hok Glab (Bird somersaults),
Dab Chawala (Extinguish the lamps),
Khuanyak Jab Ling (The giant catches the monkey) and the Hak Kor Erawan (Break the elephant’s neck).''
Pausing he continued.
We shall tackle these in groups of five. The first of the first five is the Salab Fan Pla or Cross-switch. This master trick is the main movement used for defense or to escape from the opponent’s straight punch by stepping out the armed-circle, it essentially lets the punch pass by the face.
When the attacker throws a straight left fist to your face and steps the left foot forwards at the same time. Then act.
Escapes by stepping your right foot obliquely to the right side and take one step and always face the body to the right side about 60 degrees with the weight on the right foot, the right leg bent a little, in order to get away the head and let the body out and escape from the attacker’s punch. After this then pounce on the upper part of the arm with the right hand and catch the attacker’s wrist with your left hand turning the front wrist up (This action is similar to break the hand).
The second is the Paksa Waeg Rang or Bird peeping through the nest. This master trick is the teacher’s trick to move in and use with another trick.
To be used when the attacker throws a straight left punch to your face then steps the left foot forwards. As a defender step hurry forwards oblique to a half of the left side in your opponent’s left arm and sway your body about 60 degrees with the weight on the left foot then bend the both arms to counter the upper part and the lower part of the attacker’s arm, both fists should close to each other (similar to put the palms of the hands together in salute), the elbows open about 1 span or 25 centimeters, the head and the face are covered by the both arms then glance towards the opponent’s right punch.
The third is the Chawa Sad Hok or Chawa throws spear.
This master trick is the main basic from the straight punch by Stepping out and countering by throwing the elbow. The attacker throws a straight left punch to the defensive’s face and steps the left foot forwards. The defense being you steps hurriedly, then always with the body about 30 degrees to a half of the right, the weight on the right foot, bend the left arm then strike the elbow to the attacker’s rib.
The fourth is the Inao Thang Grit or I Nao stabs his Grit. This master skill-is the main basic technique to face the straight punch. And uses the elbow close to the body in-circle. The attacker throws a straight left punch to the defensive’s face then steps forwards. The defensive steps quickly with the left foot forwards then the body always about 60 degrees to the nearly left side the weight on the left foot, penet the right elbow parallel to the floor and throw it to the attacker’s rib.
The fifth and final of the first five is the Yo Khao Prasumaru or Lifting the Summer Mountain. This Mae Mai technique is used for defense against the straight punch by bending the body down at close quarters and lets the punch pass over the head then throws up the punch to the chin.
The attacker throws the straight right punch to the defensive’s face and steps with the right foot forwards at the same time.
The defensive (you) steps quickly with the left foot and slightly lowers the left knee while the right stays straight, and bends the body down forwards about 45 degrees weight on the left foot, at the same time throws up the right punch under the attacker’s chin. Turns the head back to look at the attacker’s chin while skill holds the left arm guard up on the front of the chin.
Try these now as before.''
((Here's a link to the moves: Massassi-Raka ))
''Nicely done. A bit more practice and you'll do just fine, now on to the next set of techniques. The last of this style of fighting...these are the Mae Mai of the Massassi Iben-Raka and are more detailed movements of the art. These master tricks consist of 15 movements as follows:
Salab Fan Pla (Cross-switch)
Paksa Waeg Rang (Bird peeping through the nest)
Chawa Sad Hok (Chawa throws spear)
Inao Thang Grit (I Nao stabs his Grit)
Yo Khao Prasumaru (Lifting the Sumer Mountain),
Ta Then Kham Fak (Old man holding the melon),
Mon Yan Lak (Mon supports the pillar),
Pak Look Thoy (Impaling the stake),
Jarakhe Fad Hang (Crocodile sweeps its tail),
Hak Nguang Aiyara (Break the elephant’s tusks),
Naka Bid Hang (Serpent twists its tail),
Viroon Hok Glab (Bird somersaults),
Dab Chawala (Extinguish the lamps),
Khuanyak Jab Ling (The giant catches the monkey) and the Hak Kor Erawan (Break the elephant’s neck).''
Pausing he continued.
We shall tackle these in groups of five. The first of the first five is the Salab Fan Pla or Cross-switch. This master trick is the main movement used for defense or to escape from the opponent’s straight punch by stepping out the armed-circle, it essentially lets the punch pass by the face.
When the attacker throws a straight left fist to your face and steps the left foot forwards at the same time. Then act.
Escapes by stepping your right foot obliquely to the right side and take one step and always face the body to the right side about 60 degrees with the weight on the right foot, the right leg bent a little, in order to get away the head and let the body out and escape from the attacker’s punch. After this then pounce on the upper part of the arm with the right hand and catch the attacker’s wrist with your left hand turning the front wrist up (This action is similar to break the hand).
The second is the Paksa Waeg Rang or Bird peeping through the nest. This master trick is the teacher’s trick to move in and use with another trick.
To be used when the attacker throws a straight left punch to your face then steps the left foot forwards. As a defender step hurry forwards oblique to a half of the left side in your opponent’s left arm and sway your body about 60 degrees with the weight on the left foot then bend the both arms to counter the upper part and the lower part of the attacker’s arm, both fists should close to each other (similar to put the palms of the hands together in salute), the elbows open about 1 span or 25 centimeters, the head and the face are covered by the both arms then glance towards the opponent’s right punch.
The third is the Chawa Sad Hok or Chawa throws spear.
This master trick is the main basic from the straight punch by Stepping out and countering by throwing the elbow. The attacker throws a straight left punch to the defensive’s face and steps the left foot forwards. The defense being you steps hurriedly, then always with the body about 30 degrees to a half of the right, the weight on the right foot, bend the left arm then strike the elbow to the attacker’s rib.
The fourth is the Inao Thang Grit or I Nao stabs his Grit. This master skill-is the main basic technique to face the straight punch. And uses the elbow close to the body in-circle. The attacker throws a straight left punch to the defensive’s face then steps forwards. The defensive steps quickly with the left foot forwards then the body always about 60 degrees to the nearly left side the weight on the left foot, penet the right elbow parallel to the floor and throw it to the attacker’s rib.
The fifth and final of the first five is the Yo Khao Prasumaru or Lifting the Summer Mountain. This Mae Mai technique is used for defense against the straight punch by bending the body down at close quarters and lets the punch pass over the head then throws up the punch to the chin.
The attacker throws the straight right punch to the defensive’s face and steps with the right foot forwards at the same time.
The defensive (you) steps quickly with the left foot and slightly lowers the left knee while the right stays straight, and bends the body down forwards about 45 degrees weight on the left foot, at the same time throws up the right punch under the attacker’s chin. Turns the head back to look at the attacker’s chin while skill holds the left arm guard up on the front of the chin.
Try these now as before.''
((Here's a link to the moves: Massassi-Raka ))